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MySQL server version: 5.0.92-enterprise-gpl-log collapsCat options: Array ( [title] => Categories [showPostCount] => [inExclude] => exclude [inExcludeCats] => [showPosts] => [showPages] => [linkToCat] => [olderThan] => 0 [excludeAll] => 0 [catSortOrder] => ASC [catSort] => catSlug [postSortOrder] => ASC [postSort] => postTitle [expand] => 2 [defaultExpand] => [debug] => 1 [postTitleLength] => 0 [animate] => 1 [catfeed] => image [catTag] => cat [postDateAppend] => after [postDateFormat] => m/d [showPostDate] => [useCookies] => 1 [postsBeforeCats] => [expandCatPost] => 1 [showTopLevel] => 1 [customExpand] => [customCollapse] => [addMisc] => [addMiscTitle] => [number] => 3 [includeCatArray] => Array ( ) [expandSym] => [+] [expandSymJS] => [+] [collapseSym] => [—] [collapseSymJS] => [—] ) postsToExclude: Array ( ) CATEGORY QUERY: SELECT t.*, tt.* FROM wp_terms AS t INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id WHERE tt.taxonomy IN ('category') AND t.slug!='blogroll' ORDER BY t.slug ASC CATEGORY QUERY RESULTS Array ( [0] => stdClass Object ( [term_id] => 104 [name] => HEAD STAFF EDITOR [slug] => 0-head-staff-editor [term_group] => 0 [term_taxonomy_id] => 104 [taxonomy] => category [description] => [parent] => 0 [count] => 52 ) [1] => stdClass Object ( [term_id] => 97 [name] => Press Releases [slug] => 1 [term_group] => 0 [term_taxonomy_id] => 97 [taxonomy] => category [description] => [parent] => 96 [count] => 2 ) [2] => stdClass Object ( [term_id] => 98 [name] => Press Releases [slug] => 1-2art-words [term_group] => 0 [term_taxonomy_id] => 98 [taxonomy] => category [description] => [parent] => 18 [count] => 2 ) [3] => stdClass Object ( [term_id] => 101 [name] => Editorial Collaboration [slug] => 10-editorial-collaboration [term_group] => 0 [term_taxonomy_id] => 101 [taxonomy] => category [description] => [parent] => 17 [count] => 71 ) [4] => stdClass Object ( [term_id] => 38 [name] => Press Releases [slug] => 100001press-office [term_group] => 0 [term_taxonomy_id] => 38 [taxonomy] => category [description] => Comunicati ufficiali [parent] => 17 [count] => 3 ) [5] => stdClass Object ( [term_id] => 3 [name] => Collaborate with us! [slug] => 100002with-us [term_group] => 0 [term_taxonomy_id] => 3 [taxonomy] => category [description] => Collaborate with Musical Words! [parent] => 17 [count] => 1 ) [6] => stdClass Object ( [term_id] => 42 [name] => OnLine Publications [slug] => 100003-online-publication [term_group] => 0 [term_taxonomy_id] => 42 [taxonomy] => category [description] => OnLine Publications [parent] => 17 [count] => 1 ) [7] => stdClass Object ( [term_id] => 44 [name] => Your personal considerations [slug] => 100004your-considerations [term_group] => 0 [term_taxonomy_id] => 44 [taxonomy] => category [description] => Your considerations [parent] => 17 [count] => 11 ) [8] => stdClass Object ( [term_id] => 89 [name] => Music Analysis [slug] => 100005musical-analysis [term_group] => 0 [term_taxonomy_id] => 89 [taxonomy] => category [description] => Musical Analysis [parent] => 17 [count] => 46 ) [9] => stdClass Object ( [term_id] => 70 [name] => Aesthetic of Music [slug] => 100006aesthetic-of-music [term_group] => 0 [term_taxonomy_id] => 70 [taxonomy] => category [description] => Essay of Aesthetic of Music [parent] => 17 [count] => 49 ) [10] => stdClass Object ( [term_id] => 37 [name] => Ethnomusicology [slug] => 100007ethnomusicology [term_group] => 0 [term_taxonomy_id] => 37 [taxonomy] => category [description] => essay of Ethnomusicology [parent] => 17 [count] => 2 ) [11] => stdClass Object ( [term_id] => 94 [name] => Music Education [slug] => 100008music-education [term_group] => 0 [term_taxonomy_id] => 94 [taxonomy] => category [description] => Essay of Music Education [parent] => 17 [count] => 1 ) [12] => stdClass Object ( [term_id] => 57 [name] => Greek - Roman [slug] => 10000greekroman-music [term_group] => 0 [term_taxonomy_id] => 57 [taxonomy] => category [description] => Essay of Greek/Roman Music [parent] => 56 [count] => 1 ) [13] => stdClass Object ( [term_id] => 58 [name] => Ancient liturgical music [slug] => 10001-ancient-liturgical-music [term_group] => 0 [term_taxonomy_id] => 58 [taxonomy] => category [description] => Essay of Ancient liturgical music [parent] => 56 [count] => 0 ) [14] => stdClass Object ( [term_id] => 95 [name] => Musical Theatre [slug] => 100013musical-theatre [term_group] => 0 [term_taxonomy_id] => 95 [taxonomy] => category [description] => [parent] => 17 [count] => 5 ) [15] => stdClass Object ( [term_id] => 84 [name] => Italian Operas [slug] => 100014melodrama [term_group] => 0 [term_taxonomy_id] => 84 [taxonomy] => category [description] => Essay of Melodrama [parent] => 95 [count] => 1 ) [16] => stdClass Object ( [term_id] => 92 [name] => English Operas [slug] => 100015english-operas [term_group] => 0 [term_taxonomy_id] => 92 [taxonomy] => category [description] => Essay of English Operas [parent] => 95 [count] => 0 ) [17] => stdClass Object ( [term_id] => 91 [name] => German Operas [slug] => 100016history-of-compositional-technique-music-words [term_group] => 0 [term_taxonomy_id] => 91 [taxonomy] => category [description] => Essay of German Operas [parent] => 95 [count] => 4 ) [18] => stdClass Object ( [term_id] => 93 [name] => French Operas [slug] => 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Object ( [term_id] => 110 [name] => Great Musicians [slug] => 10009grandi-musicisti [term_group] => 0 [term_taxonomy_id] => 110 [taxonomy] => category [description] => [parent] => 17 [count] => 28 ) [32] => stdClass Object ( [term_id] => 65 [name] => Post-Romantic [slug] => 10009postromantic [term_group] => 0 [term_taxonomy_id] => 65 [taxonomy] => category [description] => Essay of postromantic music [parent] => 56 [count] => 8 ) [33] => stdClass Object ( [term_id] => 66 [name] => 20th Century [slug] => 10010 [term_group] => 0 [term_taxonomy_id] => 66 [taxonomy] => category [description] => Essay of '900 music [parent] => 56 [count] => 37 ) [34] => stdClass Object ( [term_id] => 111 [name] => 100 Years of Herbert von Karajan [slug] => 10010-100-anni-di-karajan [term_group] => 0 [term_taxonomy_id] => 111 [taxonomy] => category [description] => 100 years of karajan [parent] => 17 [count] => 9 ) [35] => stdClass Object ( [term_id] => 68 [name] => Modern [slug] => 10010modern [term_group] 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of Music [parent] => 56 [count] => 5 ) [40] => stdClass Object ( [term_id] => 75 [name] => Greek - Roman [slug] => 1001greek-roman [term_group] => 0 [term_taxonomy_id] => 75 [taxonomy] => category [description] => essay of Greek - Roman [parent] => 74 [count] => 0 ) [41] => stdClass Object ( [term_id] => 76 [name] => Middle Age [slug] => 1002middle-ages-history-of-music-theory-music-words [term_group] => 0 [term_taxonomy_id] => 76 [taxonomy] => category [description] => essay of Middle Ages Theories [parent] => 74 [count] => 0 ) [42] => stdClass Object ( [term_id] => 73 [name] => Interpretation of Music [slug] => 1002perform-of-music [term_group] => 0 [term_taxonomy_id] => 73 [taxonomy] => category [description] => essay of Perform of Music [parent] => 70 [count] => 3 ) [43] => stdClass Object ( [term_id] => 72 [name] => Psychology of Music [slug] => 1003psychology-of-music [term_group] => 0 [term_taxonomy_id] => 72 [taxonomy] => category [description] => Essay of Psychology of Music [parent] => 70 [count] => 12 ) [44] => stdClass Object ( [term_id] => 79 [name] => Renaissance [slug] => 1003renaissance-theory [term_group] => 0 [term_taxonomy_id] => 79 [taxonomy] => category [description] => Essay of Renaissance Theories [parent] => 74 [count] => 0 ) [45] => stdClass Object ( [term_id] => 80 [name] => Baroque [slug] => 1004baroque-theories [term_group] => 0 [term_taxonomy_id] => 80 [taxonomy] => category [description] => Essay of Baroque Theories [parent] => 74 [count] => 2 ) [46] => stdClass Object ( [term_id] => 77 [name] => Classic [slug] => 1005classic-theories [term_group] => 0 [term_taxonomy_id] => 77 [taxonomy] => category [description] => essay of classic Theories [parent] => 74 [count] => 8 ) [47] => stdClass Object ( [term_id] => 81 [name] => Romantic [slug] => 1006romantic-theory [term_group] => 0 [term_taxonomy_id] => 81 [taxonomy] => category [description] => Essay of Romantic Theory [parent] => 74 [count] => 0 ) [48] => stdClass Object ( [term_id] => 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« Arvo Pärt’s 75th birthday… | Main | Gioca(o)ndo… »

By Redazione Musica | luglio 26, 2008

REGGIO EMILIA, 11 GIUGNO 2008 – TE LUCIS ANTE TERMINUM

All’interno della rassegna SOLI DEO GLORIA. Organi, Suoni e Voci della Città‘, ha avuto luogo il concerto Te lucis ante terminum. Musiche per l’Ufficio di Compieta a Reggio Emilia fra Cinque e Seicento, frutto della collaborazione tra la Cappella Musicale S. Francesco da Paola di Reggio Emilia, diretta da Silvia Perucchetti, e l’Ensemble Palma Choralis di Cremona, guidato da Marcello Mazzetti e Livio Ticli. Questa ricostruzione liturgico-musicale, basata sullo studio di fonti teoriche, cronachistiche e iconografiche dell’epoca, ha voluto dar voce alle composizioni di autori nativi o operanti in istituzioni ecclesiastiche del capoluogo emiliano.
Alle tecniche compositive e improvvisative più semplici (canto fratto impiegato nell’innodia, falsobordone nel ps. 4 Cum invocarem e nel cantico) sono stati affiancati brani in«polifonia d’arte» che spaziano dalla scrittura omoritmica (lectio brevis, responsorio e antifona Salva nos) a quella a doppio coro prevista per l’articolato ps. 90 Qui habitat e per l’antifona mariana conclusiva Ave regina coelorum. Fattore eccezionale, che ha conferito alla Compieta una ancor maggiore solennità, è stata la presenza dei Sacri Concerti (mottetti a una e due voci su b.c.) eseguiti al termine di ciascun salmo.
La riuscita dell’evento, testimoniata dall’interesse e dall’attenzione del pubblico rimasti costanti fino all’ultima nota, è stata favorita dall’inusuale ricostruzione dell’intero apparato liturgico-rituale della Compieta che, da un lato ha evitato la oramai «classica» antologizzazione dei brani polifonici presentati in concerto, dall’altro ha rivivificato lo spazio sacro attraverso processioni cantate, l’uso di paramenti e suppellettili propri della liturgia e l’esecuzione del canto gregoriano (versicoli, orazioni, preghiere) come elemento coesivo e fondante dell’intero Ufficio.
Questa cura per il particolare ha fatto in modo che la ricostruzione non solo si muovesse nel lecito dello «storicamente informato», ma ha permesso al pubblico di immergersi in una suggestiva atmosfera creata dalla «spettacolarità» del rito, cui oggi siamo disabituati, ove i diversi sensi (udito-musica, vista-paramenti, olfatto-incensi) fossero pienamente coinvolti.
La chiesa di S. Stefano, col suo bel chiostro quattrocentesco e il suo impianto medievale, ha fatto da cornice alla piacevole serata. Il concerto, in questo senso, ha altresì valorizzato i corredi sacri della canonica attraverso l’esposizione del crocifisso seicentesco e ha messo in rilievo la magnificenza dell’architettura mediante un gioco di luci che ha impreziosito gli altari laterali anch’essi addobbati con argenti e candelabri per l’occasione.
Il frutto del connubio fra ricerca musicale e rituale ha permesso non solo agli “addetti ai lavori” di apprezzare l’operazione per la sua originalità, ma ha sicuramente suscitato l’innamoramento anche in coloro che da neofiti si sono per la prima volta avvicinati a questo repertorio.

M@lpagini

One Response to “Te lucis ante terminum…”

Giancarlo P. Says:
luglio 31st, 2008 at 10:41

Salve a tutt e complimenti per il sito: vi seguo sempre anche se e´la prma voltache lascio un commento.
iosonod reggio emilia ed ero al concerto che e´recensito qui sopra..in effetti e´stato molto piacevole anche se essendo abituato a concerti di altissimo livello non ho potuto non rilevare che questo non lo era in effetti…tuttavia e´stato buono ed anche particolare. Ammetto che il repertrio proposto non e´di cert il mio preferito anche se quella sera non mi e´dispiacuto!
Giancarlo