2010 febbraio | Musical Words – Blog di Musica * Arte * Lettere

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[slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
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febbraio: 2010
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Mephistofele’s Violin… … 2 commento/i | di Redazione Musica | pubblicato sotto febbraio 10, 2009
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Archive for febbraio, 2010

La Note Bleue…

domenica, febbraio 28th, 2010

La Note Bleue. Marionette nella dimora del Momento Beato
Il 20 novembre 2009, il Cinema Teatro “Il Nuovo” (La Spezia) ha ospitato la proiezione de “La Note Bleue”, visionaria biografia di Fryderyk Chopin firmata Andrzej Zulawski. In prossimità del bicentenario della nascita del musicista polacco (1810 -2010), la Società dei Concerti onlus della Spezia, in collaborazione [...]

Uniti per la Musica…

mercoledì, febbraio 24th, 2010

Pubblichiamo l’appello al Presidente della Repubblica lanciato in questi giorni da importanti associazioni a tutela dell’insegnamento musicale.
****

Appello al Presidente della Repubblica
a favore della MUSICA nei LICEI!
promosso dalla SIEM e dalle fimatarie associazioni aderenti al Forum per l’educazione musicale
* * *

Al Presidente della Repubblica Italiana
On. Giorgio Napolitano
Oggetto: Nuovi Licei, una formazione generale senza musica.
Preg.mo Onorevole Presidente,
in [...]

Identità..

domenica, febbraio 21st, 2010

I volti diversi dell’identità:
“L’identità italiana ed europea tra sette e ottocento” (AA.VV. – a cura di A.Ascenzi ed L. Melosi,Leo S. Olschki editore, XIV + 184 pagine con cinque immagini BN in testo, Perugia 2008)

Ci siamo appena ripresi (e non del tutto) dalle scioccaggini dei preamboli su “carta”, che violentavano a proprio uso e consumo [...]

Viotti and the Quartetto… /2

martedì, febbraio 16th, 2010

(…continua)
Janet Levy, nella voce “Quatuor concertants” del “New Grove”, parla di «a kind of composition for four solo instruments [...]. In this context ‘concertant’ referred to a piece in which all four instruments where essential to the musical discourse [...]». E più avanti, scrive ancora: «The most characteristic texture [of "Quatuor concertants"] was that of [...]

Viotti and the Quartetto… /1

lunedì, febbraio 15th, 2010

I Quartetti di Viotti fra Parigi e Londra*

Suddividere il fenomeno musicale in generi è un tentativo di codificare la pluralità della realtà musicale in categorie, e il significato di tale codificazione muta a seconda delle concezioni estetiche delle diverse epoche. Si legge spesso che il genere del quartetto nacque come genere privato e che in [...]

Quadri sonori…

mercoledì, febbraio 10th, 2010

“Quadri sonori”
“Non si vede bene che con il cuore. L’essenziale è invisibile agli occhi”
- citazione dal Piccolo Principe di A. de Saint-Exupéry
Per il pubblico convenuto lunedì 14 dicembre 2009 presso il teatro Monteverdi di Cremona, è stata una vera e propria scoperta, la possibilità di assistere allo spettacolo del compositore russo Vladimir Kallistov, intitolato: “Quadri [...]

“Звуковые картины”

martedì, febbraio 9th, 2010

«Звуковые картины»
« … зорко одно лишь сердце. Самого главного глазами не увидишь. [...]

R. V. Williams… VI Symphony /2 (8/12)

giovedì, febbraio 4th, 2010

(…continua)
III.
Lo “Scherzo” è un altro perfetto esempio di musica chiassosa e sarcastica offerto da Vaughan Williams si apre con una sorta di chiassoso fugato, in cui il tema principale è costruito su una serie di quarte aumentate che ascendono per tutta l’orchestra, esasperate dall’uso delle percussioni e dallo xilofono, che aggiunge ulteriore frenesia all’andamento della [...]

R. V. Williams… VI Symphony /1 (8/12)

mercoledì, febbraio 3rd, 2010

La sinfonia n.6: la War Symphony di Vaughan Williams
I.
Nel marzo 1941, in piena battaglia d’Inghilterra, che vide opposte la “RAF” inglese contro la “Luftwaffe” tedesca, un episodio particolarmente tragico sconvolse l’opinione pubblica inglese: una bomba aerea cadde nella zona del West End di Londra, andando a colpire in pieno il Cafè de Paris, locale londinese [...]