2010 marzo | Musical Words – Blog di Musica * Arte * Lettere

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[slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
[+]HEAD STAFF EDITOR
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    2th World War
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marzo: 2010
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Our Revolution…

[youtube width="179" height="165"]http://www.youtube.com/watch?v=qITTcxO-CaI[/youtube]

Festival Paganiniano di Carro 2011

[youtube width="179" height="165"]http://www.youtube.com/watch?v=CPp4vknfZcg[/youtube]

SPECIALE 2011

[youtube width="179" height="165"]http://www.youtube.com/watch?v=n9e4dg5-RZg[/youtube]

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Archive for marzo, 2010

Son House..

giovedì, marzo 25th, 2010

Son House, un grande del Blues
“Il Blues non è un gioco come pensa la gente. Ad esempio, i giovani, oggi prendono qualunque suono e ne cavano il blues: ogni piccolo vecchio “jump” è buono per affermare che quel pezzo è blues, quando non è così. Esiste un solo tipo di blues e si ottiene quando [...]

Novità dal G.A.T.M…

sabato, marzo 20th, 2010

GATM (Gruppo Analisi e Teoria Musicale)
Università di Roma – Tor Vergata, dipartimento di Beni culturali, Musica e Spettacolo (BEMUS)
Accademia Nazionale di S. Cecilia
“La Forma musicale come processo: dialogo tra interprete e analista”
Docente: Janet Schmalfeldt (Tufts University, Boston)
26 – 27 Marzo 2010 Auditorium Parco Della Musica, Roma, sala MUSA Ore 9.30
Che l’analisi sia utile agli [...]

R. V. Williams.. VII Symphony /3 (9/12)

domenica, marzo 14th, 2010

(…continua)
V.
“L’Intermezzo: Andante Sostenuto”, riporta un po’ di umanità e di sentimento all’interno della sinfonia. Introduce il movimento una citazione dal poemetto “The Sun Rising” di John Donne (5)
“Love, all alike, no season knows or clime,
Nor hours, days, months, which are the rags of time.”
Il movimento si apre in maniera idilliaca: arpeggi dell’arpa accompagnano una cantabile [...]

R. V. Williams.. VII Symphony /2 (9/12)

sabato, marzo 13th, 2010

(…continua)
III.
La sinfonia venne pesentata al pubblico del Free Trade Hall di Manchester il 14 marzo 1953, eseguita dalla Hallè Orchestra, assieme alle Womans of Hallè Choir e al soprano Margaret Ritchie, sotto la direzione di John Barbirolli.
Il primo movimento si apre con una citazione dal “Prometheus Unbound” di Shelley (1)
“To suffer woes which hope thinks [...]

R. V. Williams.. VII Symphony /1 (9/12)

venerdì, marzo 12th, 2010

La Sinfonia “Antartica”, l’ “Eroica” di Vaughan Williams
I.
Con la Settima Sinfonia entriamo nell’ultimo periodo dell’opera di Vaughan Williams; la senilità per un artista può essere, in un certo senso, un po’ la tomba della sua creatività e della sua ispirazione. Per Vaughan Williams ciò non avvenne: egli riuscì a reinventare nuovamente il suo linguaggio musicale [...]

Psiche e Musica… /2

domenica, marzo 7th, 2010

Le Acquisizioni Cerebrali

Vediamo ora come pervengono all’uomo gli elementi su cui basa la sua vita di relazione e quali sono gli “strumenti” cerebrali che utilizza. E’ oggi generalmente accettato dagli scienziati (neurobiofisiologi, psicologi) che ogni acquisizione che egli riceve sia di origine emozionale: solo le “emozioni” possono imprimersi in maniera definitiva nel cervello umano e [...]

Psiche e Musica… /1

sabato, marzo 6th, 2010

Funzioni della Psiche umana e i suoi Strumenti
L’uomo è provvisto di attività psichica, cioè di capacità pensanti: dalla sua “psiche” scaturisce il pensiero, che è frutto delle precipue funzioni che la caratterizzano, e che possono sintetizzarsi in:
- funzione cosciente e subconscia
- funzione razionale
Mediante la funzione cosciente l’uomo acquisisce percezioni “esterne”: ha la percezione di se [...]

Agorà…

lunedì, marzo 1st, 2010

AIUTACI A FARE USCIRE QUESTO FILM!!!

V secolo d.C.: Alessandria d’Egitto è schiacciata dalla dominazione romana. Lo schiavo Davus (Ashraf Barhom), ebreo convertito, spera che il diffondersi della cristianità aumenti le speranze di libertà. Il suo animo però è anche messo in subbuglio dai sentimenti che prova per la sua insegnante, l’astrologa e filosofa Hypatia [...]