2011 maggio 15 | Musical Words – Blog di Musica * Arte * Lettere

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[slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
[+]HEAD STAFF EDITOR
[+]MUSIC
[+]ART
[+]LITERATURE
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  - [+]1900
    
    2th World War
  - Middle Age
- Il Romanticismo: Lettere
- [+]Philosophy
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Archive for maggio 15th, 2011

Ernst Bloch… il Divenire in Musica / 16

domenica, maggio 15th, 2011

Ora non è difficile ritrovare una rilettura di questo sovvertimento del razionale nella filosofia utopica: infatti l’oscurità dell’attimo vissuto ci viene descritto come una dimensione vicina all’ossimoro nella quale la verità, cioè l’utopico, si dà e non si dà al tempo stesso. È quindi nella tenebra di quella “prossimità che ci fa ciechi” che l’antico dissidio tra finito e infinito troverebbe espressione in un continuo gioco di ombre e di luci che, pur trovando un’adeguata rappresentazione simbolica nell’opera d’arte, attesterebbe che in essa “l’infinito, cioè la verità, è nel finito, [...] ma nello stesso tempo ne differisce e lo trascende infinitamente, tant’è vero che le forme si generano dalle forme in una produzione vertiginosa continuamente volta all’autodistruzione”[6].

Cos’è infatti l’Eingedenken se non un particolare “senso” del soggetto utopico in grado di credere e conferire consistenza ontologica ai postulati kantiani o di scorgere la verità in particolari del tutto trascurabili? Non è anche la forza etica di credere veramente che nella prima goccia di un temporale sia in realtà celato il significato criptato dell’assoluto? È proprio questa sensibilità rabdomantica ad innescare l’intenzionalità utopico-simbolica della fantasia oggettiva dando vita ad un processo sovversivo che trascende i principi basilari delaa visione razionalistica del mondo, riuscendo a capovolgere i particolari banali in un’universalità non ancora del tutto comprensibile ma almeno intravedibile[7].