Editorial Collaboration

Categories

MySQL server version: 5.0.92-enterprise-gpl-log collapsCat options: Array ( [title] => Categories [showPostCount] => [inExclude] => exclude [inExcludeCats] => [showPosts] => [showPages] => [linkToCat] => [olderThan] => 0 [excludeAll] => 0 [catSortOrder] => ASC [catSort] => catSlug [postSortOrder] => ASC [postSort] => postTitle [expand] => 2 [defaultExpand] => [debug] => 1 [postTitleLength] => 0 [animate] => 1 [catfeed] => image [catTag] => cat [postDateAppend] => after [postDateFormat] => m/d [showPostDate] => [useCookies] => 1 [postsBeforeCats] => [expandCatPost] => 1 [showTopLevel] => 1 [customExpand] => [customCollapse] => [addMisc] => [addMiscTitle] => [number] => 3 [includeCatArray] => Array ( ) [expandSym] => [+] [expandSymJS] => [+] [collapseSym] => [—] [collapseSymJS] => [—] ) postsToExclude: Array ( ) CATEGORY QUERY: SELECT t.*, tt.* FROM wp_terms AS t INNER JOIN wp_term_taxonomy AS tt ON t.term_id = tt.term_id WHERE tt.taxonomy IN ('category') AND t.slug!='blogroll' ORDER BY t.slug ASC CATEGORY QUERY RESULTS Array ( [0] => stdClass Object ( [term_id] => 104 [name] => HEAD STAFF EDITOR [slug] => 0-head-staff-editor [term_group] => 0 [term_taxonomy_id] => 104 [taxonomy] => category [description] => [parent] => 0 [count] => 52 ) [1] => stdClass Object ( [term_id] => 97 [name] => Press Releases [slug] => 1 [term_group] => 0 [term_taxonomy_id] => 97 [taxonomy] => category [description] => [parent] => 96 [count] => 2 ) [2] => stdClass Object ( [term_id] => 98 [name] => Press Releases [slug] => 1-2art-words [term_group] => 0 [term_taxonomy_id] => 98 [taxonomy] => category [description] => [parent] => 18 [count] => 2 ) [3] => stdClass Object ( [term_id] => 101 [name] => Editorial Collaboration [slug] => 10-editorial-collaboration [term_group] => 0 [term_taxonomy_id] => 101 [taxonomy] => category [description] => [parent] => 17 [count] => 71 ) [4] => stdClass Object ( [term_id] => 38 [name] => Press Releases [slug] => 100001press-office [term_group] => 0 [term_taxonomy_id] => 38 [taxonomy] => category [description] => Comunicati ufficiali [parent] => 17 [count] => 3 ) [5] => stdClass Object ( [term_id] => 3 [name] => Collaborate with us! [slug] => 100002with-us [term_group] => 0 [term_taxonomy_id] => 3 [taxonomy] => category [description] => Collaborate with Musical Words! [parent] => 17 [count] => 1 ) [6] => stdClass Object ( [term_id] => 42 [name] => OnLine Publications [slug] => 100003-online-publication [term_group] => 0 [term_taxonomy_id] => 42 [taxonomy] => category [description] => OnLine Publications [parent] => 17 [count] => 1 ) [7] => stdClass Object ( [term_id] => 44 [name] => Your personal considerations [slug] => 100004your-considerations [term_group] => 0 [term_taxonomy_id] => 44 [taxonomy] => category [description] => Your considerations [parent] => 17 [count] => 11 ) [8] => stdClass Object ( [term_id] => 89 [name] => Music Analysis [slug] => 100005musical-analysis [term_group] => 0 [term_taxonomy_id] => 89 [taxonomy] => category [description] => Musical Analysis [parent] => 17 [count] => 46 ) [9] => stdClass Object ( [term_id] => 70 [name] => Aesthetic of Music [slug] => 100006aesthetic-of-music [term_group] => 0 [term_taxonomy_id] => 70 [taxonomy] => category [description] => Essay of Aesthetic of Music [parent] => 17 [count] => 49 ) [10] => stdClass Object ( [term_id] => 37 [name] => Ethnomusicology [slug] => 100007ethnomusicology [term_group] => 0 [term_taxonomy_id] => 37 [taxonomy] => category [description] => essay of Ethnomusicology [parent] => 17 [count] => 2 ) [11] => stdClass Object ( [term_id] => 94 [name] => Music Education [slug] => 100008music-education [term_group] => 0 [term_taxonomy_id] => 94 [taxonomy] => category [description] => Essay of Music Education [parent] => 17 [count] => 1 ) [12] => stdClass Object ( [term_id] => 57 [name] => Greek - Roman [slug] => 10000greekroman-music [term_group] => 0 [term_taxonomy_id] => 57 [taxonomy] => category [description] => Essay of Greek/Roman Music [parent] => 56 [count] => 1 ) [13] => stdClass Object ( [term_id] => 58 [name] => Ancient liturgical music [slug] => 10001-ancient-liturgical-music [term_group] => 0 [term_taxonomy_id] => 58 [taxonomy] => category [description] => Essay of Ancient liturgical music [parent] => 56 [count] => 0 ) [14] => stdClass Object ( [term_id] => 95 [name] => Musical Theatre [slug] => 100013musical-theatre [term_group] => 0 [term_taxonomy_id] => 95 [taxonomy] => category [description] => [parent] => 17 [count] => 5 ) [15] => stdClass Object ( [term_id] => 84 [name] => Italian Operas [slug] => 100014melodrama [term_group] => 0 [term_taxonomy_id] => 84 [taxonomy] => category [description] => Essay of Melodrama [parent] => 95 [count] => 1 ) [16] => stdClass Object ( [term_id] => 92 [name] => English Operas [slug] => 100015english-operas [term_group] => 0 [term_taxonomy_id] => 92 [taxonomy] => category [description] => Essay of English Operas [parent] => 95 [count] => 0 ) [17] => stdClass Object ( [term_id] => 91 [name] => German Operas [slug] => 100016history-of-compositional-technique-music-words [term_group] => 0 [term_taxonomy_id] => 91 [taxonomy] => category [description] => Essay of German Operas [parent] => 95 [count] => 4 ) [18] => stdClass Object ( [term_id] => 93 [name] => French Operas [slug] => 100017french-operas [term_group] => 0 [term_taxonomy_id] => 93 [taxonomy] => category [description] => Essay of French Operas [parent] => 95 [count] => 0 ) [19] => stdClass Object ( [term_id] => 90 [name] => History of Compositional Technique [slug] => 100017history-of-compositional-technique [term_group] => 0 [term_taxonomy_id] => 90 [taxonomy] => category [description] => Essay of History of compositional technique [parent] => 17 [count] => 25 ) [20] => stdClass Object ( [term_id] => 74 [name] => History of Music Theory [slug] => 100017history-of-music-theories [term_group] => 0 [term_taxonomy_id] => 74 [taxonomy] => category [description] => Essay of History of Music Theories [parent] => 17 [count] => 50 ) [21] => stdClass Object ( [term_id] => 56 [name] => History of Music [slug] => 100018history-of-music [term_group] => 0 [term_taxonomy_id] => 56 [taxonomy] => category [description] => Essay of History of Music [parent] => 17 [count] => 71 ) [22] => stdClass Object ( [term_id] => 144 [name] => History of Performance [slug] => 100018history-of-performance [term_group] => 0 [term_taxonomy_id] => 144 [taxonomy] => category [description] => [parent] => 17 [count] => 20 ) [23] => stdClass Object ( [term_id] => 34 [name] => Review [slug] => 100019survey [term_group] => 0 [term_taxonomy_id] => 34 [taxonomy] => category [description] => Survey [parent] => 17 [count] => 17 ) [24] => stdClass Object ( [term_id] => 59 [name] => Middle Ages [slug] => 10002middle-ages [term_group] => 0 [term_taxonomy_id] => 59 [taxonomy] => category [description] => Essay of Middle Ages [parent] => 56 [count] => 0 ) [25] => stdClass Object ( [term_id] => 60 [name] => Renaissance [slug] => 10004renaissance [term_group] => 0 [term_taxonomy_id] => 60 [taxonomy] => category [description] => essay of Renaissance Music [parent] => 56 [count] => 0 ) [26] => stdClass Object ( [term_id] => 61 [name] => Baroque [slug] => 10005baroque [term_group] => 0 [term_taxonomy_id] => 61 [taxonomy] => category [description] => Essay of Baroque Musica [parent] => 56 [count] => 3 ) [27] => stdClass Object ( [term_id] => 62 [name] => Classical [slug] => 10006classic [term_group] => 0 [term_taxonomy_id] => 62 [taxonomy] => category [description] => Essay of Classical Music [parent] => 56 [count] => 9 ) [28] => stdClass Object ( [term_id] => 63 [name] => Pre-Romantic [slug] => 10007preromantic [term_group] => 0 [term_taxonomy_id] => 63 [taxonomy] => category [description] => Essay of Preromantic music [parent] => 56 [count] => 2 ) [29] => stdClass Object ( [term_id] => 109 [name] => Great Composers [slug] => 10008great-composers [term_group] => 0 [term_taxonomy_id] => 109 [taxonomy] => category [description] => Great Composers [parent] => 17 [count] => 55 ) [30] => stdClass Object ( [term_id] => 64 [name] => Romantic [slug] => 10008romantic [term_group] => 0 [term_taxonomy_id] => 64 [taxonomy] => category [description] => Essay of romantic music [parent] => 56 [count] => 0 ) [31] => stdClass Object ( [term_id] => 110 [name] => Great Musicians [slug] => 10009grandi-musicisti [term_group] => 0 [term_taxonomy_id] => 110 [taxonomy] => category [description] => [parent] => 17 [count] => 28 ) [32] => stdClass Object ( [term_id] => 65 [name] => Post-Romantic [slug] => 10009postromantic [term_group] => 0 [term_taxonomy_id] => 65 [taxonomy] => category [description] => Essay of postromantic music [parent] => 56 [count] => 8 ) [33] => stdClass Object ( [term_id] => 66 [name] => 20th Century [slug] => 10010 [term_group] => 0 [term_taxonomy_id] => 66 [taxonomy] => category [description] => Essay of '900 music [parent] => 56 [count] => 37 ) [34] => stdClass Object ( [term_id] => 111 [name] => 100 Years of Herbert von Karajan [slug] => 10010-100-anni-di-karajan [term_group] => 0 [term_taxonomy_id] => 111 [taxonomy] => category [description] => 100 years of karajan [parent] => 17 [count] => 9 ) [35] => stdClass Object ( [term_id] => 68 [name] => Modern [slug] => 10010modern [term_group] => 0 [term_taxonomy_id] => 68 [taxonomy] => category [description] => Essay of Modern Music [parent] => 56 [count] => 0 ) [36] => stdClass Object ( [term_id] => 117 [name] => History of Instruments [slug] => 10010storia-degli-strumenti [term_group] => 0 [term_taxonomy_id] => 117 [taxonomy] => category [description] => [parent] => 17 [count] => 8 ) [37] => stdClass Object ( [term_id] => 67 [name] => Contemporary [slug] => 10011-contemporary [term_group] => 0 [term_taxonomy_id] => 67 [taxonomy] => category [description] => Essay of contemporary music [parent] => 56 [count] => 9 ) [38] => stdClass Object ( [term_id] => 69 [name] => Futuristic [slug] => 10012future [term_group] => 0 [term_taxonomy_id] => 69 [taxonomy] => category [description] => Essay of future Musica [parent] => 56 [count] => 1 ) [39] => stdClass Object ( [term_id] => 103 [name] => General [slug] => 10013general [term_group] => 0 [term_taxonomy_id] => 103 [taxonomy] => category [description] => Essay of general history of Music [parent] => 56 [count] => 5 ) [40] => stdClass Object ( [term_id] => 75 [name] => Greek - Roman [slug] => 1001greek-roman [term_group] => 0 [term_taxonomy_id] => 75 [taxonomy] => category [description] => essay of Greek - Roman [parent] => 74 [count] => 0 ) [41] => stdClass Object ( [term_id] => 76 [name] => Middle Age [slug] => 1002middle-ages-history-of-music-theory-music-words [term_group] => 0 [term_taxonomy_id] => 76 [taxonomy] => category [description] => essay of Middle Ages Theories [parent] => 74 [count] => 0 ) [42] => stdClass Object ( [term_id] => 73 [name] => Interpretation of Music [slug] => 1002perform-of-music [term_group] => 0 [term_taxonomy_id] => 73 [taxonomy] => category [description] => essay of Perform of Music [parent] => 70 [count] => 3 ) [43] => stdClass Object ( [term_id] => 72 [name] => Psychology of Music [slug] => 1003psychology-of-music [term_group] => 0 [term_taxonomy_id] => 72 [taxonomy] => category [description] => Essay of Psychology of Music [parent] => 70 [count] => 12 ) [44] => stdClass Object ( [term_id] => 79 [name] => Renaissance [slug] => 1003renaissance-theory [term_group] => 0 [term_taxonomy_id] => 79 [taxonomy] => category [description] => Essay of Renaissance Theories [parent] => 74 [count] => 0 ) [45] => stdClass Object ( [term_id] => 80 [name] => Baroque [slug] => 1004baroque-theories [term_group] => 0 [term_taxonomy_id] => 80 [taxonomy] => category [description] => Essay of Baroque Theories [parent] => 74 [count] => 2 ) [46] => stdClass Object ( [term_id] => 77 [name] => Classic [slug] => 1005classic-theories [term_group] => 0 [term_taxonomy_id] => 77 [taxonomy] => category [description] => essay of classic Theories [parent] => 74 [count] => 8 ) [47] => stdClass Object ( [term_id] => 81 [name] => Romantic [slug] => 1006romantic-theory [term_group] => 0 [term_taxonomy_id] => 81 [taxonomy] => category [description] => Essay of Romantic Theory [parent] => 74 [count] => 0 ) [48] => stdClass Object ( [term_id] => 82 [name] => Contemporary [slug] => 1007contemporary-theories [term_group] => 0 [term_taxonomy_id] => 82 [taxonomy] => category [description] => Essay of Contemporary Theories [parent] => 74 [count] => 17 ) [49] => stdClass Object ( [term_id] => 83 [name] => 20th Century [slug] => 100820th-century-theories [term_group] => 0 [term_taxonomy_id] => 83 [taxonomy] => category [description] => Essay of 20th CenturyTheories [parent] => 74 [count] => 22 ) [50] => stdClass Object ( [term_id] => 71 [name] => Philosophy of Music [slug] => 100philosophy-of-music [term_group] => 0 [term_taxonomy_id] => 71 [taxonomy] => category [description] => Essay of Philosophy of Music [parent] => 70 [count] => 28 ) [51] => stdClass Object ( [term_id] => 85 [name] => 1600 [slug] => 1600 [term_group] => 0 [term_taxonomy_id] => 85 [taxonomy] => category [description] => Essay of Melodrama - 1600 [parent] => 84 [count] => 0 ) [52] => stdClass Object ( [term_id] => 86 [name] => 1700 [slug] => 1700 [term_group] => 0 [term_taxonomy_id] => 86 [taxonomy] => category [description] => Essay of Melodrama - 1700 [parent] => 84 [count] => 0 ) [53] => stdClass Object ( [term_id] => 87 [name] => 1800 [slug] => 1800 [term_group] => 0 [term_taxonomy_id] => 87 [taxonomy] => category [description] => Essay of Melodrama - 1800 [parent] => 84 [count] => 1 ) [54] => stdClass Object ( [term_id] => 133 [name] => 1900 [slug] => 1900 [term_group] => 0 [term_taxonomy_id] => 133 [taxonomy] => category [description] => [parent] => 132 [count] => 1 ) [55] => stdClass Object ( [term_id] => 17 [name] => MUSIC [slug] => 1music-words [term_group] => 0 [term_taxonomy_id] => 17 [taxonomy] => category [description] => Macro-category: Music Words [parent] => 0 [count] => 319 ) [56] => stdClass Object ( [term_id] => 105 [name] => Press Releases [slug] => 1press-office [term_group] => 0 [term_taxonomy_id] => 105 [taxonomy] => category [description] => [parent] => 104 [count] => 17 ) [57] => stdClass Object ( [term_id] => 99 [name] 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[slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
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Mephistofele's Violin... ... 2 commento/i | di Redazione Musica | pubblicato sotto February 10, 2009
What Violin Do you Want? 0 commento/i | di Redazione Generale | pubblicato sotto September 7, 2008
L'Era dello Swing... /2 0 commento/i | di Redazione Musica | pubblicato sotto March 23, 2009
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« Previous Entries

Nicolò Paganini. Diabolus in Musica!

sabato, settembre 10th, 2011

Studies on Italian Music History – (Brepols Publishers – Turnhout)

Nicolò Paganini. Diabolus in Musica
edited by Andrea Barizza and Fulvia Morabito
Turnhout, Brepols, 2010 (Studies on Italian Music History, 5)

Paganini is considered to be the greatest violin virtuoso of all time. He was a virtuoso who relied on the astonishment that he aroused in those who [...]

Florence, BNC, Panciatichi 27: Text and Context

sabato, settembre 3rd, 2011

Monumenta Musica Europea – (Brepols Publishers – Turnhout)

Florence, BNC, Panciatichi 27: Text and Context
edited by Gioia Filocamo, translated by Bonnie J. Blackburn, Turnhout, Brepols.
XX+988 p., 230 x 310 mm, 2010, Hardback ISBN 978-2-503-51518-2

The volume comprises a complete edition of the large manuscript Panciatichi 27, compiled at the beginning of the sixteenth century: 185 compositions (parts [...]

La cappella musicale di Santa Maria Maggiore a Bergamo dal 1657 al 1810

giovedì, giugno 30th, 2011

Studies on Italian Music History – (Brepols Publishers – Turnhout)

Paola Palermo – Giulia Pecis Cavagna
La cappella musicale di Santa Maria Maggiore a Bergamo dal 1657 al 1810
with documents transcriptions on Cd-Rom.
From its very creation the musical chapel of Santa Maria Maggiore in Bergamo was always one of the most outstanding of the North-Italian ecclesiastical institutions. [...]

Beyond Notes: Improvisation in Western Music …

venerdì, giugno 24th, 2011

Specvlvm Mvsicae – (Brepols Publishers – Turnhout)

Vol. xvi: Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries
edited by Rudolf Rasch,
pp. xii+392, 2011.
Improvisation is an important aspect of music, not only in jazz and other ‘improvised music’, but also of classical music. Pianists may add improvised interludes to their recitals and cadenzas to [...]

Ad Parnassum… 16!

venerdì, giugno 17th, 2011

Ad Parnassum Vol. 8 – No. 16 – October 2010

Editorial Contents Abstracts
ARTICLES
Barry Cooper
The Two — or Two Dozen — Finales for Beethoven’s Quartet Opus 130
David Chapman
Tuning Variations as a Guide to Bass-Line Instrumentation in the Orchestral and Solo Literature for the Eighteenth-Century Contrabass «Violon»
Serguei N. Prozhoguin
Cinque Studi su Domenico Scarlatti
REVIEWS
Floyd Grave
David Wyn Jones, The Life [...]

Ad Parnassum… 15!

lunedì, giugno 13th, 2011

Ad Parnassum Vol. 8 – No. 15 – October 2010

editorial contents abstracs
Despite their apparent diversity, the contributions included in the present issue of Ad Parnassum coalesce around the established and ongoing debate concerning ‘revision’ as a methodological category within the sphere of musicology. Although approached from different perspectives and from the vantage points of [...]

La corrispondenza di Muzio Clementi…

mercoledì, gennaio 26th, 2011

to or partially quoted are published here in full, along with previously unknown passages found in new sources such as the notebook used by both Clementi and his grandson Herbert Clementi-Smith, now in the possession of John Collard.

Clementi’s correspondence opens a window on a number of aspects of his own life, the lives of other contemporary musicians, and the international music business of the time.

One of the benefits of publishing all of the known letters to and from Clementi, his family and his business associates is that much more is revealed than has hitherto been known about the nature of Clementi’s company, and more generally the nature of the music business in early nineteen

Instrumental Music and the Industrial Revolution

sabato, gennaio 22nd, 2011

h the international relationships generated by the music printing industry, entrepreneurship and the market for musical instruments. The later eighteenth and earlier nineteenth centuries were a time of fundamental change in European life, proceeding from the revolutionary implications of the ideologies of Enlightenment, and reverberating in market economies, methods of manufacturing and agriculture, modes of travel, and population distribution. The development of new technologies resulted in the enlargement and improvement of the music printing industry, and in the widespread diffusion of music in private and public sp

‘Orchestral Conducting…’ International Conference!

lunedì, gennaio 3rd, 2011

Orchestral Conducting in the 19th Century

Music and Dictatorship in Europe and Latin America

lunedì, dicembre 20th, 2010

. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco’s Spain, Salazar’s Portugal, or in Revolutionary Cuba). The contributors are: Rachel Beckles Willson, Dário Borim, Steve Butterman, Teresa Cascudo, Myriam Chimènes, Regis Duprat, Christoph Flamm, Marina Frolova-Walker, Thomas Garcia, Melita Milin, Simone Münz, Marcos Napolitano, Nina Noeske, Karen Painter, Gemma Perez Zalduondo, Daniel Party, Carlo Piccardi, Marc-André Roberge, Katy Romanou, Mattias Tischer, Andrzej Tuchowski, Luis Velasco Pufleau