Editorial Collaboration
« Previous EntriesMahler e Strauss alla Spezia
venerdì, gennaio 18th, 2013Pubblichiamo la presentazione del II concerto di Pomeriggi in Musica
20 Gennaio 2013
ore 17.00 Sala Dante
‘Io e Lei siamo due minatori…‘
l’incontro tra Strauss e Mahler
Betsy Horne soprano
Rainer Scheerer baritono
Christian Kluttig pianoforte
musiche di Richard Strauss e Gustav Mahler
Amici o rivali?
I compositori Gustav Mahler e Richard Strauss vengono citati spesso insieme. Non si tratta [...]
Pomeriggi in Musica – I edizione
mercoledì, gennaio 16th, 2013La Società dei Concerti della Spezia affronta una nuova avventura
i Pomeriggi in Musica!
Ecco la Prima edizione della manifestazione ideata e diretta da Andrea Barizza e dal suo staff composto da Edoardo Belloni, Margherita Culicchi, Paolo Barizza, Francesco Tassara, Francesca Larosa
Aperitivi in Musica 2012… il Cuore d’Europa!
giovedì, marzo 22nd, 2012E’ con grande piacere che presentiamo Aperitivi in Musica 2012… Il Cuore d’Europa!
Scaricate qui il Libretto di Sala
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L’Europa in cerca degli Europei
Accade sempre più spesso di ascoltare o leggere questa frase: “ormai siamo in Europa”. Una bella scoperta. Ma noi ci siamo sempre stati in quel territorio che va dall’Atlantico agli Urali, dal circolo polare artico [...]
Nicolò Paganini. Diabolus in Musica!
sabato, settembre 10th, 2011Studies on Italian Music History – (Brepols Publishers – Turnhout)
Nicolò Paganini. Diabolus in Musica
edited by Andrea Barizza and Fulvia Morabito
Turnhout, Brepols, 2010 (Studies on Italian Music History, 5)
Paganini is considered to be the greatest violin virtuoso of all time. He was a virtuoso who relied on the astonishment that he aroused in those who [...]
Florence, BNC, Panciatichi 27: Text and Context
sabato, settembre 3rd, 2011Monumenta Musica Europea – (Brepols Publishers – Turnhout)
Florence, BNC, Panciatichi 27: Text and Context
edited by Gioia Filocamo, translated by Bonnie J. Blackburn, Turnhout, Brepols.
XX+988 p., 230 x 310 mm, 2010, Hardback ISBN 978-2-503-51518-2
The volume comprises a complete edition of the large manuscript Panciatichi 27, compiled at the beginning of the sixteenth century: 185 compositions (parts [...]
La cappella musicale di Santa Maria Maggiore a Bergamo dal 1657 al 1810
giovedì, giugno 30th, 2011Studies on Italian Music History – (Brepols Publishers – Turnhout)
Paola Palermo – Giulia Pecis Cavagna
La cappella musicale di Santa Maria Maggiore a Bergamo dal 1657 al 1810
with documents transcriptions on Cd-Rom.
From its very creation the musical chapel of Santa Maria Maggiore in Bergamo was always one of the most outstanding of the North-Italian ecclesiastical institutions. [...]
Beyond Notes: Improvisation in Western Music …
venerdì, giugno 24th, 2011Specvlvm Mvsicae – (Brepols Publishers – Turnhout)
Vol. xvi: Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries
edited by Rudolf Rasch,
pp. xii+392, 2011.
Improvisation is an important aspect of music, not only in jazz and other ‘improvised music’, but also of classical music. Pianists may add improvised interludes to their recitals and cadenzas to [...]
Ad Parnassum… 16!
venerdì, giugno 17th, 2011Ad Parnassum Vol. 8 – No. 16 – October 2010
Editorial Contents Abstracts
ARTICLES
Barry Cooper
The Two — or Two Dozen — Finales for Beethoven’s Quartet Opus 130
David Chapman
Tuning Variations as a Guide to Bass-Line Instrumentation in the Orchestral and Solo Literature for the Eighteenth-Century Contrabass «Violon»
Serguei N. Prozhoguin
Cinque Studi su Domenico Scarlatti
REVIEWS
Floyd Grave
David Wyn Jones, The Life [...]
Ad Parnassum… 15!
lunedì, giugno 13th, 2011Ad Parnassum Vol. 8 – No. 15 – October 2010
editorial contents abstracs
Despite their apparent diversity, the contributions included in the present issue of Ad Parnassum coalesce around the established and ongoing debate concerning ‘revision’ as a methodological category within the sphere of musicology. Although approached from different perspectives and from the vantage points of [...]
La corrispondenza di Muzio Clementi…
mercoledì, gennaio 26th, 2011to or partially quoted are published here in full, along with previously unknown passages found in new sources such as the notebook used by both Clementi and his grandson Herbert Clementi-Smith, now in the possession of John Collard.
Clementi’s correspondence opens a window on a number of aspects of his own life, the lives of other contemporary musicians, and the international music business of the time.
One of the benefits of publishing all of the known letters to and from Clementi, his family and his business associates is that much more is revealed than has hitherto been known about the nature of Clementi’s company, and more generally the nature of the music business in early nineteen
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