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Speciale curato da Fabio Uccelli [slug] => psiche-e-musica-fabio-uccelli-musical-words [term_group] => 0 [term_taxonomy_id] => 157 [taxonomy] => category [description] => [parent] => 156 [count] => 12 ) [101] => stdClass Object ( [term_id] => 124 [name] => Ralph Vaughan Williams [slug] => ralph-vaughan-williams [term_group] => 0 [term_taxonomy_id] => 124 [taxonomy] => category [description] => [parent] => 123 [count] => 23 ) [102] => stdClass Object ( [term_id] => 123 [name] => Research Monograph [slug] => research-monograph [term_group] => 0 [term_taxonomy_id] => 123 [taxonomy] => category [description] => [parent] => 109 [count] => 36 ) [103] => stdClass Object ( [term_id] => 112 [name] => Review [slug] => review [term_group] => 0 [term_taxonomy_id] => 112 [taxonomy] => category [description] => [parent] => 96 [count] => 9 ) [104] => stdClass Object ( [term_id] => 131 [name] => Roundtables [slug] => roundtables [term_group] => 0 [term_taxonomy_id] => 131 [taxonomy] => category [description] => [parent] => 120 [count] => 11 ) [105] => stdClass Object ( [term_id] => 1 [name] => Senza categoria [slug] => senza-categoria [term_group] => 0 [term_taxonomy_id] => 1 [taxonomy] => category [description] => [parent] => 0 [count] => 1 ) [106] => stdClass Object ( [term_id] => 216 [name] => SPECIALE Il Romantcismo: Musica [slug] => speciale-il-romantcismo-musica [term_group] => 0 [term_taxonomy_id] => 221 [taxonomy] => category [description] => [parent] => 17 [count] => 0 ) [107] => stdClass Object ( [term_id] => 217 [name] => SPECIALE Il Romanticismo: Arte [slug] => speciale-il-romanticismo-arte [term_group] => 0 [term_taxonomy_id] => 222 [taxonomy] => category [description] => [parent] => 18 [count] => 0 ) [108] => stdClass Object ( [term_id] => 214 [name] => SPECIALE Il Romanticismo: Musica, Arte e Letteratura [slug] => speciale-il-romanticismo-musica-arte-e-letteratura [term_group] => 0 [term_taxonomy_id] => 219 [taxonomy] => category [description] => [parent] => 104 [count] => 4 ) [109] => stdClass Object ( [term_id] => 149 [name] => Swing and Jazz [slug] => swing-and-jazz [term_group] => 0 [term_taxonomy_id] => 149 [taxonomy] => category [description] => [parent] => 74 [count] => 3 ) [110] => stdClass Object ( [term_id] => 129 [name] => Symposia [slug] => symposia [term_group] => 0 [term_taxonomy_id] => 129 [taxonomy] => category [description] => [parent] => 120 [count] => 15 ) [111] => stdClass Object ( [term_id] => 41 [name] => Your Works! [slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
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Il sito web www.musicalwords.it ("Sito"), e tutti i contenuti (testi, audio, video, immagini, prodotti e servizi, collettivamente nelle pagine relative) accessibili su od attraverso di esso, sono messi a disposizione degli utenti senza in alcun modo avallare gli usi che gli utenti stessi ne possano fare. I diritti riguardanti l'uso delle immagini di opere d'arte esposte in ogni pagina del Sito appartengono ai rispettivi proprietari. Chi scarica, usa o trasmette Contenuti reperiti su o attraverso il Sito non può ritenere in nessun modo assolte le competenze spettanti ai detentori dei rispettivi diritti di tali Contenuti. Il Sito web www.musicalwords.it può contenere o linkare a Contenuti creati o caricati da terze parti. I Contenuti di terze parti non rappresentano necessariamente le opinioni del responsabile del Sito nè della redazione generale direttiva né delle altre redazioni nè dei suoi collaboratori. Il responsabile del Sito non controlla, monitora, avalla o garantisce in alcun modo i Contenuti di terze parti. In nessun caso responsabile del Sito potrà essere ritenuto responsabile, direttamente o indirettamente, per danni o perdite causate o che si pensa possano essere state causate dall’uso o dal riferimento a Contenuti reperiti su o attraverso il nostro Sito. Il responsabile del Sito non si ritiene responsabile per attività dolose risultate dallo scaricamento o dall’utilizzo di Contenuti presenti sul proprio Sito web o accessibili attraverso di esso. I Contenuti presenti sul Sito www.musicalwords.it possono essere cambiati o rimossi senza notizia preventiva.

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Mephistofele's Violin... ... 2 commento/i | di Redazione Musica | pubblicato sotto February 10, 2009
What Violin Do you Want? 0 commento/i | di Redazione Generale | pubblicato sotto September 7, 2008
L'Era dello Swing... /2 0 commento/i | di Redazione Musica | pubblicato sotto March 23, 2009
Bernini al Cinema... 0 commento/i | di Redazione Musica | pubblicato sotto December 16, 2009
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La ‘Concertante’… Sott’Analisi! / 2

giovedì, ottobre 21st, 2010

Il movimento è in forma sonata e si possono pertanto distinguere tre grandi regioni che sono: l’esposizione, una zona di sviluppo e la ripresa.

L’esposizione è a sua volta divisibile in tre parti: l’esposizione orchestrale, l’esposizione dei soli con due importanti zone tematiche, e una coda.

L’esposizione orchestrale copre le prime 72 misure. Entrano poi i soli (bat. 73) che espongono il loro primo tema. Il secondo tema dei soli (bat. 127) arriva dopo un ponte modulante dove i soli dialogano tra loro attraverso due episodi tematici.

La tonalità di questo secondo tema è quella di Si bemolle maggiore, cioè quella della dominante della tonalità d’impianto. Una coda (bat. 159) termina questa esposizione dove è assente un secondo tema affidato all’orchestra.

La seconda grande regione è quella dello svilupp

La ‘Concertante’… Sott’Analisi! /1

mercoledì, ottobre 20th, 2010

La Sinfonia Concertante per violino e viola K 364 in Mi b stata composta nel 1779 e nell’ultimo catalogo Kochel è stata arretrata al periodo salisburghese successivo al ritorno da Parigi; essa occupa una singolare posizione di “spartiacque musicali” (Mila) fra un gruppo di musiche “leggere” come la Serenata K 320, il Divertimento K 334, la Marcia K 445, e una collezione di severe pagine religiose per la corte arcivescovile come le “Vesperale de Domenica” K 321, il “Regina Coeli” K 321b, il “Kirye” K 323.

Sergio Fiorentino’s Art…

venerdì, settembre 5th, 2008

L’Arte di Sergio Fiorentino
L’arte musicale non ha volto, non ha corpo. Ciò nonostante riesce a svelare la sua essenza indicibile al cuore di chi ascolta, si ‘serve’ del musicista, delle sue mani o della sua voce, della sua sensibilità, della sua abilità tecnica, della sua capacità di tradurre l’ineffabile. La Musica, dunque, assume le molteplici [...]