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category [description] => Essay of 20th CenturyTheories [parent] => 74 [count] => 22 ) [50] => stdClass Object ( [term_id] => 71 [name] => Philosophy of Music [slug] => 100philosophy-of-music [term_group] => 0 [term_taxonomy_id] => 71 [taxonomy] => category [description] => Essay of Philosophy of Music [parent] => 70 [count] => 29 ) [53] => stdClass Object ( [term_id] => 87 [name] => 1800 [slug] => 1800 [term_group] => 0 [term_taxonomy_id] => 87 [taxonomy] => category [description] => Essay of Melodrama - 1800 [parent] => 84 [count] => 1 ) [54] => stdClass Object ( [term_id] => 133 [name] => 1900 [slug] => 1900 [term_group] => 0 [term_taxonomy_id] => 133 [taxonomy] => category [description] => [parent] => 132 [count] => 1 ) [55] => stdClass Object ( [term_id] => 17 [name] => MUSIC [slug] => 1music-words [term_group] => 0 [term_taxonomy_id] => 17 [taxonomy] => category [description] => Macro-category: Music Words [parent] => 0 [count] => 323 ) [56] => stdClass Object ( [term_id] => 105 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[slug] => 2-3 [term_group] => 0 [term_taxonomy_id] => 100 [taxonomy] => category [description] => [parent] => 96 [count] => 2 ) [59] => stdClass Object ( [term_id] => 18 [name] => ART [slug] => 2art-words [term_group] => 0 [term_taxonomy_id] => 18 [taxonomy] => category [description] => Macro-category: Art Words [parent] => 0 [count] => 21 ) [60] => stdClass Object ( [term_id] => 134 [name] => 2th World War [slug] => 2th-world-war [term_group] => 0 [term_taxonomy_id] => 134 [taxonomy] => category [description] => [parent] => 133 [count] => 1 ) [61] => stdClass Object ( [term_id] => 96 [name] => LITERATURE [slug] => 3 [term_group] => 0 [term_taxonomy_id] => 96 [taxonomy] => category [description] => Essay of Litterature [parent] => 0 [count] => 64 ) [62] => stdClass Object ( [term_id] => 115 [name] => Your composition [slug] => 4 [term_group] => 0 [term_taxonomy_id] => 115 [taxonomy] => category [description] => [parent] => 96 [count] => 2 ) [63] => stdClass Object ( [term_id] => 102 [name] => Cinema's Nook [slug] => 4-cinema [term_group] => 0 [term_taxonomy_id] => 102 [taxonomy] => category [description] => Essay of Cinema's Music [parent] => 0 [count] => 16 ) [65] => stdClass Object ( [term_id] => 120 [name] => Appointments [slug] => appointments [term_group] => 0 [term_taxonomy_id] => 120 [taxonomy] => category [description] => [parent] => 88 [count] => 76 ) [66] => stdClass Object ( [term_id] => 135 [name] => Authors [slug] => authors [term_group] => 0 [term_taxonomy_id] => 135 [taxonomy] => category [description] => [parent] => 96 [count] => 5 ) [67] => stdClass Object ( [term_id] => 143 [name] => Books [slug] => books [term_group] => 0 [term_taxonomy_id] => 143 [taxonomy] => category [description] => [parent] => 112 [count] => 8 ) [68] => stdClass Object ( [term_id] => 32 [name] => Books [slug] => books-survey [term_group] => 0 [term_taxonomy_id] => 32 [taxonomy] => category [description] => Book's Survey [parent] => 34 [count] => 9 ) [69] => stdClass Object ( [term_id] => 154 [name] => BravoMaestro [slug] => bravomaestro [term_group] => 0 [term_taxonomy_id] => 154 [taxonomy] => category [description] => [parent] => 101 [count] => 2 ) [71] => stdClass Object ( [term_id] => 141 [name] => Claude Debussy [slug] => claude-debussy [term_group] => 0 [term_taxonomy_id] => 141 [taxonomy] => category [description] => [parent] => 109 [count] => 1 ) [72] => stdClass Object ( [term_id] => 108 [name] => Collaborate with us! [slug] => collaborate-with-us [term_group] => 0 [term_taxonomy_id] => 108 [taxonomy] => category [description] => [parent] => 104 [count] => 27 ) [73] => stdClass Object ( [term_id] => 126 [name] => Concerts [slug] => concerts-appontments [term_group] => 0 [term_taxonomy_id] => 126 [taxonomy] => category [description] => [parent] => 120 [count] => 32 ) [74] => stdClass Object ( [term_id] => 35 [name] => Concerts [slug] => concerts-survey [term_group] => 0 [term_taxonomy_id] => 35 [taxonomy] => category [description] => Concert's Survey [parent] => 34 [count] => 7 ) [75] => stdClass Object ( [term_id] => 130 [name] => Conferences [slug] => conferences [term_group] => 0 [term_taxonomy_id] => 130 [taxonomy] => category [description] => [parent] => 120 [count] => 34 ) [76] => stdClass Object ( [term_id] => 136 [name] => Couriosities from the World [slug] => couriosities-from-the-world [term_group] => 0 [term_taxonomy_id] => 136 [taxonomy] => category [description] => [parent] => 96 [count] => 3 ) [77] => stdClass Object ( [term_id] => 88 [name] => Curiosities from the World [slug] => curiose-worlds-news [term_group] => 0 [term_taxonomy_id] => 88 [taxonomy] => category [description] => Curiose World's News [parent] => 17 [count] => 84 ) [78] => stdClass Object ( [term_id] => 118 [name] => Editorial Collaboration [slug] => editorial-collaboration [term_group] => 0 [term_taxonomy_id] => 118 [taxonomy] => category [description] => [parent] => 96 [count] => 15 ) [79] => stdClass Object ( [term_id] => 205 [name] => Ernst Bloch... il Divenire in Musica [slug] => ernst-bloch-il-divenire-in-musica [term_group] => 0 [term_taxonomy_id] => 210 [taxonomy] => category [description] => [parent] => 71 [count] => 21 ) [80] => stdClass Object ( [term_id] => 153 [name] => GATM - Gruppo Teoria e Analsi [slug] => gatm-gruppo-teoria-e-analsi [term_group] => 0 [term_taxonomy_id] => 153 [taxonomy] => category [description] => [parent] => 101 [count] => 4 ) [81] => stdClass Object ( [term_id] => 137 [name] => Giacinto Scelsi [slug] => giacinto-scelsi [term_group] => 0 [term_taxonomy_id] => 137 [taxonomy] => category [description] => [parent] => 109 [count] => 2 ) [82] => stdClass Object ( [term_id] => 128 [name] => Glavx [slug] => glavx [term_group] => 0 [term_taxonomy_id] => 128 [taxonomy] => category [description] => [parent] => 127 [count] => 10 ) [84] => stdClass Object ( [term_id] => 122 [name] => Herbert von Karajan [slug] => herbert-von-karajan [term_group] => 0 [term_taxonomy_id] => 122 [taxonomy] => category [description] => [parent] => 110 [count] => 10 ) [85] => stdClass Object ( [term_id] => 132 [name] => History [slug] => history [term_group] => 0 [term_taxonomy_id] => 132 [taxonomy] => category [description] => [parent] => 96 [count] => 2 ) [86] => stdClass Object ( [term_id] => 151 [name] => Il Rigo Musicale [slug] => il-rigo-musicale [term_group] => 0 [term_taxonomy_id] => 151 [taxonomy] => category [description] => [parent] => 101 [count] => 14 ) [87] => stdClass Object ( [term_id] => 215 [name] => Il Romanticismo: Lettere [slug] => il-romanticismo-lettere [term_group] => 0 [term_taxonomy_id] => 220 [taxonomy] => category [description] => [parent] => 96 [count] => 1 ) [88] => stdClass Object ( [term_id] => 199 [name] => International Conference: Paganini Diabolus in Musica [slug] => international-conference-paganini-diabolus-in-musica [term_group] => 0 [term_taxonomy_id] => 204 [taxonomy] => category [description] => [parent] => 101 [count] => 1 ) [89] => stdClass Object ( [term_id] => 147 [name] => Jazz, Swing [slug] => jazz-swing [term_group] => 0 [term_taxonomy_id] => 147 [taxonomy] => category [description] => [parent] => 56 [count] => 3 ) [90] => stdClass Object ( [term_id] => 127 [name] => Journals [slug] => journals [term_group] => 0 [term_taxonomy_id] => 127 [taxonomy] => category [description] => [parent] => 119 [count] => 10 ) [91] => stdClass Object ( [term_id] => 125 [name] => Luigi Dallapiccola [slug] => luigi-dallapiccola [term_group] => 0 [term_taxonomy_id] => 125 [taxonomy] => category [description] => [parent] => 123 [count] => 12 ) [92] => stdClass Object ( [term_id] => 150 [name] => Middle Age [slug] => middle-age [term_group] => 0 [term_taxonomy_id] => 150 [taxonomy] => category [description] => [parent] => 132 [count] => 1 ) [93] => stdClass Object ( [term_id] => 159 [name] => Music and Dictatorship [slug] => music-and-dictatorship [term_group] => 0 [term_taxonomy_id] => 159 [taxonomy] => category [description] => [parent] => 17 [count] => 2 ) [94] => stdClass Object ( [term_id] => 138 [name] => Music and Philosophy [slug] => music-and-philosophy [term_group] => 0 [term_taxonomy_id] => 138 [taxonomy] => category [description] => [parent] => 17 [count] => 30 ) [95] => stdClass Object ( [term_id] => 156 [name] => Music and Brain [slug] => musica-and-brain [term_group] => 0 [term_taxonomy_id] => 156 [taxonomy] => category [description] => [parent] => 17 [count] => 12 ) [96] => stdClass Object ( [term_id] => 50 [name] => News e Curiosità [slug] => news-e-curiosita [term_group] => 0 [term_taxonomy_id] => 50 [taxonomy] => category [description] => [parent] => 18 [count] => 16 ) [97] => stdClass Object ( [term_id] => 121 [name] => Niccolò Paganini [slug] => niccolo-paganini [term_group] => 0 [term_taxonomy_id] => 121 [taxonomy] => category [description] => [parent] => 110 [count] => 15 ) [98] => stdClass Object ( [term_id] => 119 [name] => Philosophy [slug] => philosophy [term_group] => 0 [term_taxonomy_id] => 119 [taxonomy] => category [description] => [parent] => 96 [count] => 44 ) [99] => stdClass Object ( [term_id] => 155 [name] => Pietro Antonio Locatelli [slug] => pietro-antonio-locatelli-musicalwords [term_group] => 0 [term_taxonomy_id] => 155 [taxonomy] => category [description] => [parent] => 109 [count] => 5 ) [100] => stdClass Object ( [term_id] => 157 [name] => Psiche e Musica - Speciale curato da Fabio Uccelli [slug] => psiche-e-musica-fabio-uccelli-musical-words [term_group] => 0 [term_taxonomy_id] => 157 [taxonomy] => category [description] => [parent] => 156 [count] => 12 ) [101] => stdClass Object ( [term_id] => 124 [name] => Ralph Vaughan Williams [slug] => ralph-vaughan-williams [term_group] => 0 [term_taxonomy_id] => 124 [taxonomy] => category [description] => [parent] => 123 [count] => 23 ) [102] => stdClass Object ( [term_id] => 123 [name] => Research Monograph [slug] => research-monograph [term_group] => 0 [term_taxonomy_id] => 123 [taxonomy] => category [description] => [parent] => 109 [count] => 36 ) [103] => stdClass Object ( [term_id] => 112 [name] => Review [slug] => review [term_group] => 0 [term_taxonomy_id] => 112 [taxonomy] => category [description] => [parent] => 96 [count] => 9 ) [104] => stdClass Object ( [term_id] => 131 [name] => Roundtables [slug] => roundtables [term_group] => 0 [term_taxonomy_id] => 131 [taxonomy] => category [description] => [parent] => 120 [count] => 11 ) [105] => stdClass Object ( [term_id] => 1 [name] => Senza categoria [slug] => senza-categoria [term_group] => 0 [term_taxonomy_id] => 1 [taxonomy] => category [description] => [parent] => 0 [count] => 2 ) [108] => stdClass Object ( [term_id] => 214 [name] => SPECIALE Il Romanticismo: Musica, Arte e Letteratura [slug] => speciale-il-romanticismo-musica-arte-e-letteratura [term_group] => 0 [term_taxonomy_id] => 219 [taxonomy] => category [description] => [parent] => 104 [count] => 4 ) [109] => stdClass Object ( [term_id] => 149 [name] => Swing and Jazz [slug] => swing-and-jazz [term_group] => 0 [term_taxonomy_id] => 149 [taxonomy] => category [description] => [parent] => 74 [count] => 3 ) [110] => stdClass Object ( [term_id] => 129 [name] => Symposia [slug] => symposia [term_group] => 0 [term_taxonomy_id] => 129 [taxonomy] => category [description] => [parent] => 120 [count] => 15 ) [111] => stdClass Object ( [term_id] => 41 [name] => Your Works! [slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
[+]HEAD STAFF EDITOR
[—]MUSIC
[+]ART
[+]LITERATURE
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    2th World War
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- Il Romanticismo: Lettere
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Our Revolution…

[youtube width="179" height="165"]http://www.youtube.com/watch?v=qITTcxO-CaI[/youtube]

Festival Paganiniano di Carro 2011

[youtube width="179" height="165"]http://www.youtube.com/watch?v=CPp4vknfZcg[/youtube]

SPECIALE 2011

[youtube width="179" height="165"]http://www.youtube.com/watch?v=n9e4dg5-RZg[/youtube]

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« Previous Entries

Il Pianoforte negli Stati Uniti /2

domenica, marzo 1st, 2009

(…continua)
3. La tecnica estesa nell’opera pianistica di George Crumb.
Il compositore che ha portato la tecnica estesa sul pianoforte ai più alti vertici virtuosistici ed espressivi è forse l’americano George Crumb (1929). Personalità ancora poco conosciuta in Italia, Crumb si è invece ricavato un posto d’onore negli Stati Uniti e in molti Paesi europei, dove [...]

Il Pianoforte negli Stati Uniti /1

sabato, febbraio 28th, 2009

Il pianoforte negli Stati Uniti:
la tecnica estesa da Henry Cowell a George Crumb *

1. Non solo tasti. Lo “string piano” di Henry Cowell.
Quando, nel 1916, il compositore australiano Percy Grainger scrisse la suite “In a Nutshell”, richiedendo l’esecuzione direttamente sulle corde del pianoforte attraverso l’azione di una bacchetta, il pianismo si stava ormai da tempo [...]

Luigi Dallapiccola: An Mathilde, Simbolo e Testo… /2 (4/4)

domenica, febbraio 15th, 2009

(…continua)
II.
“An Mathilde” è un’opera complessa e di difficile lettura, relativamente alla sua statura compositiva e al ruolo che essa ricopre nell’intera produzione dell’autore (23). I cambiamenti operati in questi anni nei confronti della propria scrittura musicale rivelano un nuovo uso del linguaggio dodecafonico, segno decisivo di un mutamento strutturale nella poetica dallapiccoliana. L’attenzione al testo [...]

Luigi Dallapiccola: An Mathilde, Simbolo e Testo… /1 (4/4)

sabato, febbraio 14th, 2009

Concludiamo oggi il lungo e prestigioso Speciale deidcato a Luigi Dallapiccola. Per quanti volessero rileggere tutti i contributi, clicchino Qui! [Music --> Great Composers --> Research Monograph --> Luigi Dallapiccola ]
Ringraziamo Roberto Illiano e Luca Sala
*************
SIMBOLO E TESTO IN “AN MATHILDE” DI LUIGI DALLAPICCOLA *

I.
«Che aere basso in un lavoro d’oggi. Che senso dimesso di [...]

An Mathilde: un’opera di Cerniera… /2 (3/4)

mercoledì, gennaio 28th, 2009

(…continua) 2. La Musica
Lo schema della serie utilizzata in questa cantata appare nel manoscritto LD. Mus. 63 (33) ; esso consta di due carte: nel verso della prima è riportata la serie nella forma originale con tutte le trasposizioni secondo un ordine cromatico crescente, mentre nel recto della seconda carta è riportata l’inversione dell’originale con [...]

An Mathilde: un’opera di Cerniera… /1 (3/4)

martedì, gennaio 27th, 2009

AN MATHILDE: UN’OPERA DI CERNIERA *
Se i “Canti di liberazione” sono stati considerati sin dalla prima esecuzione come l’opera principale di Luigi Dallapiccola degli anni Cinquanta (1), ad “An Mathilde, eine Kantate für Frauenstimme und Orchester” su testi (2) di Heinrich Heine vengono attribuiti sino ad oggi un interesse e un’attenzione mediocri. Tuttavia, in [...]

R. V. Williams… I Symphony /2 (3/12)

mercoledì, gennaio 21st, 2009

(…continua)
III.
Ci troviamo di fronte a un’opera che è descrittiva e allegorica al tempo stesso: “la sinfonia racconta il vento, le onde, il sale sulle labbra, soltanto a livello superficiale, letterario; sotto il velame abbiamo un’analogia tra il viaggiatore sulle acque del mare e il viaggio del pellegrino sul mare dell’ignoto”5.
Il primo movimento è assolutamente trionfante: [...]

Luigi Dallapiccola…Variazioni per Orch. /4 (2/4)

sabato, dicembre 20th, 2008

(…Continua) Anche in un’edizione italiana del trattato di Berlioz (40), curata da Ettore Panizza nel 1912, il nome di Debussy non è presente. Ci sono esempi verdiani, una decina di passi tratti da Salome di Strauss e ben 17 di Puccini. Ma Dallapiccola è sorpreso nel vedere che Puccini è seguito a ruota da Alberto [...]

Luigi Dallapiccola…Variazioni per Orch. /3 (2/4)

venerdì, dicembre 19th, 2008

(…Conitnua) (Diverso è il risultato ottenuto da Richard Strauss 27), «né ciò può meravigliare dato che, sia o non sia di nostro gusto, rimane una delle figure imprescindibili del nostro secolo» (28). Strauss cerca di integrare il Traité delle necessarie aggiunte tecniche sugli strumenti, ponendo l’accento sulle novità nel campo dell’orchestrazione — e si riferisce [...]

Luigi Dallapiccola…Variazioni per Orch. /2 (2/4)

giovedì, dicembre 18th, 2008

(…continua) In effetti, se si osservano le Variazioni, quello che colpisce è l’assoluta semplicità della trascrizione orchestrale del Quaderno musicale di Annalibera, trascrizione che predilige sempre piccoli gruppi di strumenti. Si può così osservare come la prima sezione del numero III delle Variazioni (Es. 1) abbia il Dux esposto prima dai flauti a due (miss. [...]