History of Music Theory

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[slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
[+]HEAD STAFF EDITOR
[—]MUSIC
[+]ART
[+]LITERATURE
- Press Releases
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- Your composition
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- Couriosities from the World
- Editorial Collaboration
- [+]History
  - [+]1900
    
    2th World War
  - Middle Age
- Il Romanticismo: Lettere
- [+]Philosophy
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    Glavx
- [+]Review
  - Books
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Mephistofele’s Violin… … 2 commento/i | di Redazione Musica | pubblicato sotto febbraio 10, 2009
What Violin Do you Want? 0 commento/i | di Redazione Generale | pubblicato sotto settembre 7, 2008
L’Era dello Swing… /2 0 commento/i | di Redazione Musica | pubblicato sotto marzo 23, 2009
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R. V. Williams.. VIII Symphony /1 (10/12)

martedì, aprile 20th, 2010

La Sinfonia n. 8:
tra divertissement e raffinatezza.
I.
Il biennio 1953-1955 della vita di Vaughan Williams fu pregno di avvenimenti: poco tempo dopo la prima della Sinfonia Antartica, prende in sposa, a due anni dalla morte della prima moglie Adeline, Ursula Wood, vedova di un artigliere della Royal Army, e già collaboratrice di Vaughan Williams nella stesura [...]

Music and Dictatorship… Futurismo in Musica!

giovedì, aprile 1st, 2010

Siamo lieti di aprire lo speciale “Musica e Dittature” con un articolo del musicologo Roberto Illiano. L’intera raccolta di contributi sarà disponibile in un’apposita categoria. Abbiamo creato anche una Playlist sul nostro canale YouTube.
*****
Futurismo in musica, Fascismo e discorsi sulla razza*
Se dovessimo fare un resoconto del futurismo solo in termini musicali, sulla base delle opere compiute, [...]

Son House..

giovedì, marzo 25th, 2010

Son House, un grande del Blues
“Il Blues non è un gioco come pensa la gente. Ad esempio, i giovani, oggi prendono qualunque suono e ne cavano il blues: ogni piccolo vecchio “jump” è buono per affermare che quel pezzo è blues, quando non è così. Esiste un solo tipo di blues e si ottiene quando [...]

R. V. Williams.. VII Symphony /3 (9/12)

domenica, marzo 14th, 2010

(…continua)
V.
“L’Intermezzo: Andante Sostenuto”, riporta un po’ di umanità e di sentimento all’interno della sinfonia. Introduce il movimento una citazione dal poemetto “The Sun Rising” di John Donne (5)
“Love, all alike, no season knows or clime,
Nor hours, days, months, which are the rags of time.”
Il movimento si apre in maniera idilliaca: arpeggi dell’arpa accompagnano una cantabile [...]

R. V. Williams.. VII Symphony /2 (9/12)

sabato, marzo 13th, 2010

(…continua)
III.
La sinfonia venne pesentata al pubblico del Free Trade Hall di Manchester il 14 marzo 1953, eseguita dalla Hallè Orchestra, assieme alle Womans of Hallè Choir e al soprano Margaret Ritchie, sotto la direzione di John Barbirolli.
Il primo movimento si apre con una citazione dal “Prometheus Unbound” di Shelley (1)
“To suffer woes which hope thinks [...]

R. V. Williams.. VII Symphony /1 (9/12)

venerdì, marzo 12th, 2010

La Sinfonia “Antartica”, l’ “Eroica” di Vaughan Williams
I.
Con la Settima Sinfonia entriamo nell’ultimo periodo dell’opera di Vaughan Williams; la senilità per un artista può essere, in un certo senso, un po’ la tomba della sua creatività e della sua ispirazione. Per Vaughan Williams ciò non avvenne: egli riuscì a reinventare nuovamente il suo linguaggio musicale [...]

Viotti and the Quartetto… /2

martedì, febbraio 16th, 2010

(…continua)
Janet Levy, nella voce “Quatuor concertants” del “New Grove”, parla di «a kind of composition for four solo instruments [...]. In this context ‘concertant’ referred to a piece in which all four instruments where essential to the musical discourse [...]». E più avanti, scrive ancora: «The most characteristic texture [of "Quatuor concertants"] was that of [...]

Viotti and the Quartetto… /1

lunedì, febbraio 15th, 2010

I Quartetti di Viotti fra Parigi e Londra*

Suddividere il fenomeno musicale in generi è un tentativo di codificare la pluralità della realtà musicale in categorie, e il significato di tale codificazione muta a seconda delle concezioni estetiche delle diverse epoche. Si legge spesso che il genere del quartetto nacque come genere privato e che in [...]

R. V. Williams… VI Symphony /2 (8/12)

giovedì, febbraio 4th, 2010

(…continua)
III.
Lo “Scherzo” è un altro perfetto esempio di musica chiassosa e sarcastica offerto da Vaughan Williams si apre con una sorta di chiassoso fugato, in cui il tema principale è costruito su una serie di quarte aumentate che ascendono per tutta l’orchestra, esasperate dall’uso delle percussioni e dallo xilofono, che aggiunge ulteriore frenesia all’andamento della [...]

R. V. Williams… VI Symphony /1 (8/12)

mercoledì, febbraio 3rd, 2010

La sinfonia n.6: la War Symphony di Vaughan Williams
I.
Nel marzo 1941, in piena battaglia d’Inghilterra, che vide opposte la “RAF” inglese contro la “Luftwaffe” tedesca, un episodio particolarmente tragico sconvolse l’opinione pubblica inglese: una bomba aerea cadde nella zona del West End di Londra, andando a colpire in pieno il Cafè de Paris, locale londinese [...]