20th Century

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[slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
[+]HEAD STAFF EDITOR
[—]MUSIC
[+]ART
[+]LITERATURE
- Press Releases
- Collaborate with us!
- Your composition
- Authors
- Couriosities from the World
- Editorial Collaboration
- [+]History
  - [+]1900
    
    2th World War
  - Middle Age
- Il Romanticismo: Lettere
- [+]Philosophy
  - [+]Journals
    
    Glavx
- [+]Review
  - Books
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Our Revolution…

[youtube width="179" height="165"]http://www.youtube.com/watch?v=qITTcxO-CaI[/youtube]

Festival Paganiniano di Carro 2011

[youtube width="179" height="165"]http://www.youtube.com/watch?v=CPp4vknfZcg[/youtube]

SPECIALE 2011

[youtube width="179" height="165"]http://www.youtube.com/watch?v=n9e4dg5-RZg[/youtube]

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R. V. Williams… VI Symphony /1 (8/12)

mercoledì, febbraio 3rd, 2010

La sinfonia n.6: la War Symphony di Vaughan Williams
I.
Nel marzo 1941, in piena battaglia d’Inghilterra, che vide opposte la “RAF” inglese contro la “Luftwaffe” tedesca, un episodio particolarmente tragico sconvolse l’opinione pubblica inglese: una bomba aerea cadde nella zona del West End di Londra, andando a colpire in pieno il Cafè de Paris, locale londinese [...]

R. V. Williams… V Symphony /2 (7/12)

giovedì, gennaio 7th, 2010

(…continua)
III.
Se, come detto all’inizio, l’idioma musicale di questo nuovo lavoro sinfonico si pone a metà strada tra la “Terza” e la “Quarta Sinfonia”, l’organico orchestrale nulla ha a che vedere con quello dei due precedenti lavori: esso nulla ha del massiccio e imponente suono della “Quarta Sinfonia”, ma non è neanche così timbricamente variegato come [...]

R. V. Williams… V Symphony /1 (7/12)

mercoledì, gennaio 6th, 2010

La Sinfonia n.5: una musica tra terra e cielo
I.
Per quelli che avevano ancora nelle orecchie la rude ed aspra “Quarta Sinfonia”, la “Quinta Sinfonia” arrivò come una manna dal cielo: una manna musicale che, dopo l’europeizzazione del linguaggio della precedente sinfonia, riportava la dimensione d’ascolto ad una più vera ed unica poetica musicale inglese. Molti [...]

R. V. Williams… IV Symphony (6/12)

lunedì, giugno 15th, 2009

La Sinfonia n. 4: Un Classico Nuovo
I.
“Non so se piace, ma è quello che ho voluto dire” (1): queste furono le prime parole che Vaughan Williams ebbe a dire sulla sua nuova fatica sinfonica, la Quarta. Era il primo a essere consapevole del cambiamento che questa nuova sinfonia recava in sé, rispetto a quella che [...]

R. V. Williams… III Symphony (5/12)

venerdì, maggio 29th, 2009

Tra Sinfonia e Requiem: la “Pastorale” di Vaughan Williams
I.
Con la “Pastoral Symphony” entriamo nel cuore della produzione sinfonica di Vaughan Williams. Di fatto, le sinfonie nn. 3, 4, 5 e 6 costituiscono quasi un universo a parte all’interno del corpus sinfonico del compositore inglese: esse vedono la luce in un arco di tempo comprendente la [...]

Il Pianoforte negli Stati Uniti /2

domenica, marzo 1st, 2009

(…continua)
3. La tecnica estesa nell’opera pianistica di George Crumb.
Il compositore che ha portato la tecnica estesa sul pianoforte ai più alti vertici virtuosistici ed espressivi è forse l’americano George Crumb (1929). Personalità ancora poco conosciuta in Italia, Crumb si è invece ricavato un posto d’onore negli Stati Uniti e in molti Paesi europei, dove [...]

Il Pianoforte negli Stati Uniti /1

sabato, febbraio 28th, 2009

Il pianoforte negli Stati Uniti:
la tecnica estesa da Henry Cowell a George Crumb *

1. Non solo tasti. Lo “string piano” di Henry Cowell.
Quando, nel 1916, il compositore australiano Percy Grainger scrisse la suite “In a Nutshell”, richiedendo l’esecuzione direttamente sulle corde del pianoforte attraverso l’azione di una bacchetta, il pianismo si stava ormai da tempo [...]

R. V. Williams… II Symphony (4/12)

domenica, febbraio 8th, 2009

A London Symphony: una città in musica
I.
Se, come visto nel precedente articolo, il Mare è stato un’importante fonte di ispirazione nella storia della musica, anche la Città, seppur in maniera meno marcata, è stata un luogo estetico che ha solleticato la creatività dei compositori. Si faccia bene attenzione però: non si intende città da un [...]

Giacinto Scelsi e John Cage: Esercizio e Disciplina /2

mercoledì, febbraio 4th, 2009

John Cage: L’uomo di Tutti i Suoni (e silenzi)

“Fu alla Cornish School di Seattle [dove Cage aveva trovato lavoro, n.d.a] che venni a conoscenza del buddismo zen, che più tardi, come parte della filosofia orientale, prese per me il posto della psicoanalisi. Avevo dei problemi sia nella vita privata sia nella mia vita pubblica di [...]

Giacinto Scelsi e John Cage: Esercizio e Disciplina /1

martedì, febbraio 3rd, 2009

Giacinto Scelsi: L’uomo di una Sola Nota
Il Distacco
(o la seconda nascita)
“Sono nato nel 2637 a.C. – fate i calcoli e sapete quanti anni ho – in Mesopotamia.
Sposai una ragazza assai carina e quando avevo ventisette anni (lei ne aveva qualcuno in meno) fummo uccisi in un palazzo assiro sulla riva dell’Eufrate – un luogo bellissimo, [...]