History of Music

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Speciale curato da Fabio Uccelli [slug] => psiche-e-musica-fabio-uccelli-musical-words [term_group] => 0 [term_taxonomy_id] => 157 [taxonomy] => category [description] => [parent] => 156 [count] => 12 ) [101] => stdClass Object ( [term_id] => 124 [name] => Ralph Vaughan Williams [slug] => ralph-vaughan-williams [term_group] => 0 [term_taxonomy_id] => 124 [taxonomy] => category [description] => [parent] => 123 [count] => 23 ) [102] => stdClass Object ( [term_id] => 123 [name] => Research Monograph [slug] => research-monograph [term_group] => 0 [term_taxonomy_id] => 123 [taxonomy] => category [description] => [parent] => 109 [count] => 36 ) [103] => stdClass Object ( [term_id] => 112 [name] => Review [slug] => review [term_group] => 0 [term_taxonomy_id] => 112 [taxonomy] => category [description] => [parent] => 96 [count] => 9 ) [104] => stdClass Object ( [term_id] => 131 [name] => Roundtables [slug] => roundtables [term_group] => 0 [term_taxonomy_id] => 131 [taxonomy] => category [description] => [parent] => 120 [count] => 11 ) [105] => stdClass Object ( [term_id] => 1 [name] => Senza categoria [slug] => senza-categoria [term_group] => 0 [term_taxonomy_id] => 1 [taxonomy] => category [description] => [parent] => 0 [count] => 2 ) [108] => stdClass Object ( [term_id] => 214 [name] => SPECIALE Il Romanticismo: Musica, Arte e Letteratura [slug] => speciale-il-romanticismo-musica-arte-e-letteratura [term_group] => 0 [term_taxonomy_id] => 219 [taxonomy] => category [description] => [parent] => 104 [count] => 4 ) [109] => stdClass Object ( [term_id] => 149 [name] => Swing and Jazz [slug] => swing-and-jazz [term_group] => 0 [term_taxonomy_id] => 149 [taxonomy] => category [description] => [parent] => 74 [count] => 3 ) [110] => stdClass Object ( [term_id] => 129 [name] => Symposia [slug] => symposia [term_group] => 0 [term_taxonomy_id] => 129 [taxonomy] => category [description] => [parent] => 120 [count] => 15 ) [111] => stdClass Object ( [term_id] => 41 [name] => Your Works! [slug] => your-works [term_group] => 0 [term_taxonomy_id] => 41 [taxonomy] => category [description] => Your Works! [parent] => 18 [count] => 3 ) ) POST QUERY: POST QUERY RESULTS
[+]HEAD STAFF EDITOR
[—]MUSIC
[+]ART
[+]LITERATURE
- Press Releases
- Collaborate with us!
- Your composition
- Authors
- Couriosities from the World
- Editorial Collaboration
- [+]History
  - [+]1900
    
    2th World War
  - Middle Age
- Il Romanticismo: Lettere
- [+]Philosophy
  - [+]Journals
    
    Glavx
- [+]Review
  - Books
Cinema's Nook
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Festival Paganiniano di Carro 2011

SPECIALE 2011

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Mephistofele’s Violin… … 2 commento/i | di Redazione Musica | pubblicato sotto febbraio 10, 2009
What Violin Do you Want? 0 commento/i | di Redazione Generale | pubblicato sotto settembre 7, 2008
L’Era dello Swing… /2 0 commento/i | di Redazione Musica | pubblicato sotto marzo 23, 2009
Bernini al Cinema… 0 commento/i | di Redazione Musica | pubblicato sotto dicembre 16, 2009
Prélude à l’aprés-midi d’… 8 commento/i | di Redazione Musica | pubblicato sotto gennaio 14, 2009
Contacts 0 commento/i | di Andrea Barizza | pubblicato sotto aprile 25, 2008
La Ricotta.. 0 commento/i | di Redazione Musica | pubblicato sotto gennaio 23, 2010
100 Years of Herbert von … 84 commento/i | di Redazione Musica | pubblicato sotto gennaio 17, 2009

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Radio e fascismo…

lunedì, aprile 26th, 2010

La censura radiofonica
e la propaganda fascista*
La storia delle trasmissioni radio(1) in quanto fenomeno perfettamente inserito e imprescindibile della quotidianità della popolazione italiana ha inizio relativamente tardi, rispetto al medesimo panorama europeo. Se le prime leggi che regolamentano l’utilizzo della radio e che ne specificano il principio del controllo pubblico risalgono al 1810, laddove si parla [...]

R. V. Williams.. VIII Symphony /2 (10/12)

mercoledì, aprile 21st, 2010

(…continua)
III.
Il terzo movimento, invece, è riservato ai soli strumenti ad arco: Cavatina per gli stromenti a corde recita la didascalia del movimento. Già Beethoven aveva usato il termine Cavatina per il penultimo movimento del Quartetto op.130. Ma in questo caso è più calzante il concetto di cavatina legato all’opera, dove si intende l’aria di presentazione [...]

R. V. Williams.. VIII Symphony /1 (10/12)

martedì, aprile 20th, 2010

La Sinfonia n. 8:
tra divertissement e raffinatezza.
I.
Il biennio 1953-1955 della vita di Vaughan Williams fu pregno di avvenimenti: poco tempo dopo la prima della Sinfonia Antartica, prende in sposa, a due anni dalla morte della prima moglie Adeline, Ursula Wood, vedova di un artigliere della Royal Army, e già collaboratrice di Vaughan Williams nella stesura [...]

Music and Dictatorship… Futurismo in Musica!

giovedì, aprile 1st, 2010

Siamo lieti di aprire lo speciale “Musica e Dittature” con un articolo del musicologo Roberto Illiano. L’intera raccolta di contributi sarà disponibile in un’apposita categoria. Abbiamo creato anche una Playlist sul nostro canale YouTube.
*****
Futurismo in musica, Fascismo e discorsi sulla razza*
Se dovessimo fare un resoconto del futurismo solo in termini musicali, sulla base delle opere compiute, [...]

Son House..

giovedì, marzo 25th, 2010

Son House, un grande del Blues
“Il Blues non è un gioco come pensa la gente. Ad esempio, i giovani, oggi prendono qualunque suono e ne cavano il blues: ogni piccolo vecchio “jump” è buono per affermare che quel pezzo è blues, quando non è così. Esiste un solo tipo di blues e si ottiene quando [...]

R. V. Williams.. VII Symphony /3 (9/12)

domenica, marzo 14th, 2010

(…continua)
V.
“L’Intermezzo: Andante Sostenuto”, riporta un po’ di umanità e di sentimento all’interno della sinfonia. Introduce il movimento una citazione dal poemetto “The Sun Rising” di John Donne (5)
“Love, all alike, no season knows or clime,
Nor hours, days, months, which are the rags of time.”
Il movimento si apre in maniera idilliaca: arpeggi dell’arpa accompagnano una cantabile [...]

R. V. Williams.. VII Symphony /2 (9/12)

sabato, marzo 13th, 2010

(…continua)
III.
La sinfonia venne pesentata al pubblico del Free Trade Hall di Manchester il 14 marzo 1953, eseguita dalla Hallè Orchestra, assieme alle Womans of Hallè Choir e al soprano Margaret Ritchie, sotto la direzione di John Barbirolli.
Il primo movimento si apre con una citazione dal “Prometheus Unbound” di Shelley (1)
“To suffer woes which hope thinks [...]

R. V. Williams.. VII Symphony /1 (9/12)

venerdì, marzo 12th, 2010

La Sinfonia “Antartica”, l’ “Eroica” di Vaughan Williams
I.
Con la Settima Sinfonia entriamo nell’ultimo periodo dell’opera di Vaughan Williams; la senilità per un artista può essere, in un certo senso, un po’ la tomba della sua creatività e della sua ispirazione. Per Vaughan Williams ciò non avvenne: egli riuscì a reinventare nuovamente il suo linguaggio musicale [...]

Viotti and the Quartetto… /2

martedì, febbraio 16th, 2010

(…continua)
Janet Levy, nella voce “Quatuor concertants” del “New Grove”, parla di «a kind of composition for four solo instruments [...]. In this context ‘concertant’ referred to a piece in which all four instruments where essential to the musical discourse [...]». E più avanti, scrive ancora: «The most characteristic texture [of "Quatuor concertants"] was that of [...]

Viotti and the Quartetto… /1

lunedì, febbraio 15th, 2010

I Quartetti di Viotti fra Parigi e Londra*

Suddividere il fenomeno musicale in generi è un tentativo di codificare la pluralità della realtà musicale in categorie, e il significato di tale codificazione muta a seconda delle concezioni estetiche delle diverse epoche. Si legge spesso che il genere del quartetto nacque come genere privato e che in [...]